A Tale of Two Tales

Many years ago, when I was a young man, my mom told me a story from her childhood. It’s been so long that I don’t remember the context or what caused her to bring it up, but she told me she’d never told this story to anyone else. It was about the Stick Men. Of course, by that time I was hanging on every word. What followed was a general ghost story like the ones Grandpa tells, but it had some unusual additions. At the end I laughed and told her she’d dreamed it. She stood her ground and claimed it really happened. More than once. I’d never known my mother to lie to me about anything, so I chalked it up to “She believes it.”

We spoke of it once or twice over the next couple of decades. She said she wanted to write it down. While not highly educated, my mother was well read and held a professional job. She knew how to write. I encouraged her. After she died, I helped clean out her papers but never found any mention of the Stick Men.

Fast forward more years and I’ve discovered writing short stories. I was looking for inspiration for a story and thought about family myths. I wrote out a ghost story my grandfather liked to tell and it got accepted by a magazine. I decided to keep on down this road. My next try was The Stick Men. I wrote it just the way Mom told me, a simple spooky story, with the narrator running afoul of the ghosts at the end (obviously, Mom didn’t have that in her story, but this was fiction. I could say what I wanted.)

So I sent it around. Crickets. I wasn’t sure what the problem was. It was spooky, it was novel. Finally an anthology picked it up. Now I know publication is a waiting game, but a year went by and the anthology still hadn’t come out. I got an email from the editor about personal difficulties and then technical difficulties. At about a year and a half, I figured I’d put the story back into circulation. If anyone wanted it, I could just cancel with the anthology.

But rather than just toss the story back out there, I wanted to do some investigating into what was wrong with it. This is not an ad for critiquing software, but I had a popular one and some free credits for an in depth critique, so I pulled the trigger. I got several pages of commentary on where the story worked and a lot of info on where it didn’t. One of the biggest complaints was that I didn’t reveal what the Stick Men were. I don’t know what they were! Most likely the imaginings of a young girl. I put the complaint down to AI pedantics and rigid thinking. I mean the X-Files works and most of the time we didn’t know what the monsters were, and they kept us guessing about some of them for eleven seasons.

But I took a good look at the critique and set out repairing the story. I inserted a completely new middle section to put everything into context. I even came up with a reasonable explanation for what they were (well, reasonable is a relative term in horror tropes). I took all these changes to my writing group and got a crowd sourced critique. The finished product was twice as long but so much more than just a story of things that go bump in the night. It was a Southern gothic bonanza of murder, secrets, madness, and generational guilt. Flannery O’Connor would probably be proud.

This was a story I’d be happy to send around. Then I got the email that the anthology was a go, along with a copy of my original story for my review. Crap.

After some consideration I contacted the editor and asked if they had room for my longer version. I explained the differences. Unfortunately, they had no leeway. Then the editor made an offer. He said if I believed in my story then we’d make a deal. He would pull the story from the upcoming anthology, and give a similar length story the spot. Then he’d feature my story in next year’s anthology. I readily agreed. He said to send my story along on the regular submission form. “Don’t worry,” he wrote. “It’s already accepted.”

So when it comes out in 2026 I’ll give everybody a shout to check out my gothic tour de force.

Johnny’s Got a Gun

Hey all. Issue 1095 of Bewildering Stories is out today (online only). It features my short story “Johnny’s Got a Gun” about three teenagers looking for mischief on Halloween night. They get more than they bargained for when they break into their high school which is temporarily closed due to a shooting. My usual brand of darkness ensues. You can find the story for free here: https://www.bewilderingstories.com/issue1095/blurb.html

I also was “awarded” the Order of the Hot Potato

The Order of the Hot Potato

Here are the most controversial works of the quarter, the ones on which the Review Editors’ opinions diverged significantly for one or more reasons. The titles are listed beginning with the hottest “potato” and proceeding in order. Nine of the titles appear among the Editors’ Choices. Challenge to the readers: why might any of these titles be on the list? Discussions are welcome and may appear in a future regular issue.

  1. Sultana Raza, Serene Nostalgia
  2. Bill Bowler, Death Can Be So Inconvenient
  3. Dylan Lee Henderson, What Is It, Mother?
  4. Shauna Checkley, Road Trip
  5. Edward Ahern, An Unready Life
  6. Brenda Mox, World of Woven Words
  7. Edward Ahern, Miramichi Afternoon
  8. T. J. Young, Deus ex Machina
  9. Shauna Checkley, Sourdough
  10. Alexander Etheridge, Muse
  11. Douglas Young, A New Pecking Order
  12. Curtis A. Bass, Johnny’s Got a Gun
  13. Brenda Mox, Camouflage

The Writing Life

I haven’t done a lot of original writing in the past few months. I’ve mostly edited my hopeful novel (still a work in progress) and continued revisions of “Shadow of Nosferatu”. I love Shadow and hope to get it published somewhere, someday. It’s got a cub reporter, vampires, and Nazis. Who could ask for anything more? If anyone wants to beta read it, just let me know. I’ve joined a local writers group (with actual published authors) and got some useful feedback on the first 1,000 words. I was talking about it in an online “writers lounge” and an editor I’d had passing words with asked to see the opening. He also gave me some good advice. He also said he’d love to ask for more, but he’s mired in editing two books at the moment. But words like that give me hope that I’m not just spitting into the wind. Also having 35 pieces (and counting) accepted for publication doesn’t hurt.

Speaking of…

I have 3 stories coming out so far in 2024. A very short piece, “The Session” (1600 words), will come out this month in TPT (Text, Power, Telling) magazine’s winter issue. It’s an online only wellness magazine. Their focus is healing from abuse. “The Session” is semi-autobiographical, based on my session with a counselor when I came face to face with my own sexual abuse as a child. It was a difficult piece to write and even more difficult to share. I’ve gotten better about saying it out loud to others when necessary. I’m also in a wonderful online support group.

In May, Black Sheep magazine will run my story “Worlds Away” (2600 words). It’s just a little story I dashed off one night while thinking about the possibilities of a multiverse. Apparently the Webb telescope has followed up on some of Hawking’s experiments and determined that an infinite number of universes is possible. The recent MCU installment, “Dr. Strange and the Multiverse of Madness” also takes off on it. I didn’t think my story was all that special, but Black Sheep snapped it up as soon as I sent it around. 

Later this year “The Stick Men” (2790 words) will be out in From the Yonder 5. I’ve reworked the story a number of times trying to get it just right. It’s a very dark horror piece that came from a story my Mom told me. She said she saw the stick men when she was a girl. She was adamant it was real and said she was going to write about it. I don’t think she ever did, since I couldn’t find anything about it in her things after she died. It’s a pity. I would love to have had that as a reference for the story. I’m not sure exactly when From the Yonder will be out, but FTY3 and FTY4 came out in successive Junes, so I’m guessing June 2024. 

I’ll post links when the stories come out.

Cheers.

Confessions of a Horror Writer

I have a story coming out in a horror anthology in March. Five of the other stories I’ve had published would also be considered horror. If you look on my Amazon author’s page, two of the three books there are horror anthologies. It might look like I’ve found my niche.

I’m not a fan of horror. There, I said it. I don’t read horror books or stories and only watch classic horror movies. I hate blood and guts. Then why do my stories seem to find their way into the horror realm? Your guess is as good as mine. I just write what bubbles up from my subconscious.

Let me clarify my definition of horror. Horror in written form is much harder than on the screen. Film can use music and sudden camera switches or something jumping into sight to startle the viewer. Hard to do on the written page. But I see written horror (or good film horror) as creeping dread, the need to look over your shoulder, check the locks, and turn on more lights. That is rare in the little horror I have read.

I read a Lovecraft anthology once. His style was not what I was used to, but I eventually got with it. Only two of the stories did I find actually disturbing in the ways I mentioned above. I guess I’m just not a Cthulu fan.

I read The Shining because I liked the movie. Let me be clear about this. There are two movies I will never see again. The Shining and Alien. Those two scared the bejesus out of me. Not because of blood and guts or weird camera work. They are just plain scary. In a good way. The Alien sequels missed the mark. So I wanted to read The Shining. It was summer and I was alone one night (not a good way to read horror). I had to go pee. I was just at the part in the book about the dead woman in the bathtub. As I stood at the commode, a gentle breeze may have wafted through the open window. All I know for sure is that in the mirror beside the commode I saw the bathtub curtain move. I was out of the bathroom and under the covers in a flash, my heart beating like a drum. That’s what good horror does.

I’ve read a couple of Stephen King anthologies. I enjoy his stories, but most of them I don’t classify as horror because they don’t elicit that response in me. I think Salem’s Lot is the only one that came close. As for his novels, IT did scare me. Again it brought the elements to the page that evoked the fear response I mentioned above.

I grew up watching late night “horror” movies like Dracula, Frankenstein, the Wolfman and such. None of them were particularly frightening, even when I was nine years old. I loved the camp of all the Draculas, from the color drenched Hammer films to the granddaddy of them all, 1931 Dracula. Frankenstein was okay, but I kept seeing plot holes. I tried reading the original but couldn’t get through it. It was so different from the movies and didn’t sustain my interest. I never got into the wolfman movies because I got tired of Lon Chaney Jr. emoting over his misbegotten fate to be cursed. And they all ended the same – a good man turned into a monster and then killed. Kind of a downer.

The monster movies like Godzilla and the rest of the Japanese crew really shouldn’t even be considered horror. Just call these disaster movies. Or science fiction. I mean how horrifying are two miniature Japanese ladies riding on the back of a giant moth?

All that said, do I consider my horror stories as true horror? Maybe. Some of these can be found here.

La Duchessa is my vampire entry. I try to give the old duchessa an air of subtle menace. And the old photographs indicate that something may be amiss. It’s available now on Amazon for only $2.99.

Now I Lay Me Down to Sleep would probably better classify as a thriller, although with all the cut off heads I guess it also falls in the horror camp. https://terrorhousemag.com/lay/ 

Welcome to Hell is more fun than horrifying. https://fb.watch/8ShBfglfJy/

The Haint is an old-fashioned ghost story my grandfather used to tell. It’s quaint and not particularly scary. https://www.pagespineficshowcase.com/curtis-a-bass.html

Little Green Men is madness in outer space. They say in space no one can hear you scream, but you also need to remember that help is half a billion miles away. https://theworldswithin.net/little-green-men

I’ve got some others that have not been published yet. There’s The Stick Men, a slightly scary story that my mom told me about her childhood nightmares. Manitou, based on the Norse eddas, is my homage to Lovecraft.

But one of my favorite stories, Johnny’s Got a Gun, comes out next month in Screaming in the Night anthology. It’s a good old style ghost story – kids at night getting into mischief and all hell breaking loose. Is it horrifying? Probably not. Is it spooky? I hope so. Since the anthology is for sale on Amazon, I won’t be publishing the story on my blog until some much later date. You should probably get the book. I’ve read a story by one of the other authors included and she gets my thumbs up for a spooky story. Creeping dread just the way I like it.

The Haint

I was sure I had put this up before but I can’t find the post. Anyway, back in November Page & Spine published a story of mine – The Haint. It’s a reworking of a former story Do This One Thing. I had sent it out for comment and made some changes based on what People Who Know Things said. Here’s a link. Hope you like it. https://www.pagespineficshowcase.com/curtis-a-bass.html If the link doesn’t work, just google Page & Spine and find my name under the Authors tab.

Do This One Thing

If anyone has ever sat on a front porch on a sultry summer evening listening to the crickets and bullfrogs, watching the lightning bugs and enjoying the feeling of being snug in your family, that is the feeling I am trying to capture in this story. It is a memoir as well as a tribute to my grandfather, a remarkable man. I am proud to have known him and to carry his name.
            He loved to talk and tell stories. He had a story for every occasion. Some he admitted were tall tales. But he always swore this one was true. Maybe it was.


Do This One Thing
A True Story?
I remember sitting on Granddaddy’s porch when I was a child listening to the adults talking. I remember in particular a Saturday evening in summer in the mid nineteen-sixties. Granddaddy’s house sat on the top of a low hill, the highest land in the area. From his front porch we could see the entire community for a half mile or more in every direction. It was twilight, what Grandma always called gloaming. The heat of the day had dissipated and we were outside to catch any cool breezes that might float by. The front lawn twinkled with constellations of lightning bugs providing us with our own private light show. It was a large lawn, stretching about a hundred yards down to the main highway. Granddaddy always called his lawn the avenue. His avenue was dotted with cedars, catalpas and large hardwoods we kids called “climbing trees” because they were great for climbing. Grandma hated us climbing in the trees and would yell, “Y’all come down out of that tree before you fall and break your neck!” We never fell. Well, my cousin Edith fell. And broke her arm. But no necks were ever broken.
            A couple of my cousins and I were on the steps that evening. Mom and Dad and my cousins’ parents had gone to the city to dinner and Grandma always watched us for them. So we sat on the porch, watching the sky turn purple, the insect light show, and just enjoying being a family. As sometimes happens in these types of gatherings the conversation turned to ghost stories.    
            Granddaddy said he remembered one from when he was a young man. Grandma said, “Good Lord, don’t tell that story again. You dreamed it.”
“Dang if I didn’t,” Granddaddy declared. “I know what I saw.”
“What?” we all wanted to know. He had us then. We were spellbound.
            “This happened when I was a young man. Mollie and I had just been married less than a year so it must have been 19 and 23. Remember, Sweetpea? We’d run off in January and got married. We were still honeymooning. I remember it like it was yesterday. I had Raleigh Bryant run me to Garysburg in his horsebuggy. I had my valise with my birth certificate and a change of clothes. I won’t but eighteen, didn’t know nothing. Excepting that I loved Mollie. It was cold as hell, but I was sweating bullets till your grandma showed up. Lord, you were a sight for sore eyes, Sweetpea. I loved you so much.”
“Still do,” Grandma smiled at him, patting his knee.
“We caught the train to Emporia and checked in an old hotel. I wanted to go ahead and check in as Mr. and Mrs. but your grandma was all prim and proper. A real lady. She insisted on her own room under MISS Mary Grizzard. Cost us a whole extra dollar. And a dollar was hard to come by in those days. We found the justice of the peace the next day and got hitched. Then we went back and used that hotel room.”
“Lloyd!” my Grandma exclaimed. We could see her blush, even in the dim light.
“Like I said, I won’t but 18 and Sweetpea was 19. When we got home, all hell broke loose. But we was married and nothing they could do about it.”
“But, Granddaddy. What about the ghost?” At that age I didn’t care about dumb lovey stuff.
            “I was getting there. Hold your horses. We were living in the old Mayle house, just a sharecropper’s cabin with 4 rooms, but it was all we needed. It was August, the hottest one I could remember. Me and Sam Massey and another man, I can’t recollect who, were working the field up by old Miz Garris’ place. Alice Garris, now she was a firecracker. She was supposed to have been a looker in her day. They say old man Garris tamed her, but he died before I can remember, so she lived in that big old house alone. She dressed and acted like she had money. Did you ever see that house? It’s gone now. I don’t even remember if it fell down or got burned. It was up, back of Sam Massey’s old house. That’s gone now, too.”
            “Yeah, Granddaddy, I remember Mr. Massey’s house but not any other one. They tore it down when I was real little, but I remember it. I remember Mr. Massey would always bring us a watermelon from his garden every summer,” I said.
            “Yes, Sam was something else. Most folks didn’t care too much for him ‘cause he was a picker. Always picking at people, trying to get a rise out of ‘em. I remember when your daddy was young, we were working in a field and Sam started picking at him. I let it go, figuring the boy needed to learn to take care of hisself. Purty soon, your dad up and whaled him on the side of the head with a beanpole. Sam jumped up looking like he was ready for a fight but I stepped in. I told Sam, ‘you got what was comin’ to you. Now get back to work’.
            “Now, where was I? Oh yeah, we were working the field side of Miz Garris’ house. One day as we got ready to take a break for lunch we were near her yard. We decided to go over and sit under a big tree by the house. Ol’ Betsy, the mule, won’t having no part of it. When we tried to pull her over to the shade, she just bellowed and dug in her heels. ‘Well, just stand there in the hot sun, you dang varmint,’ I said to her.
            “It didn’t take but a few minutes under the tree before we smelled it. If you ever smelled a dead body, you won’t never forget it. Sam and me and the other man all looked at each other. Lonnie Birdsong. That’s who it was. I just remembered. Me and Sam were working with your grandma’s uncle Lonnie.  
‘When’s the last time you saw Miz Garris?’ I asked them.
‘She won’t at church on Sunday,’ Sam said. ‘Somebody said she was feeling poorly.’ ‘Reckon we ought to go look,’ I said.
            “We went up on the back porch and knocked on the door. ‘Miz Garris. Can you hear me? You all right?’ After a few minutes with no answer I pushed the door open. There won’t no such thing as locked doors back then. We all trusted each other. Not like these days when you got people robbing banks and stealing and all. Don’t know what the world is coming to. Anyway, soon as I got the door open, I ran back into the yard and threw up. She was darn sure dead and after several days in August she was purty ripe.”
“Lloyd, must you tell it like that?” Grandma protested. “The young’uns will have nightmares.”
“I’m just telling what I saw, sweetheart. Ain’t nothing they don’t see on tv these days.
            “Anyway, ‘Dammit’, I thought. I’m sorry ol’ Miz Garris died but it was also going to make us lose a day of work. We needed to go fetch either the doc or Sheriff Stephenson. When I said this, Sam said, ‘Why break off work? Let’s finish the field and then go get the doc. The old lady ain’t going nowhere.’ ‘Naw, that ain’t right,’ I told him. That old lady deserved more respect than that. Plus I don’t think I could work knowing a dead body was just a few yards away. So Sam and the other man took ol’ Betsy back home and I headed off to Gumberry. It was only a mile or so through the woods and there was a telephone at the general store.
            “They had her funeral the very next day. The preacher told me she had been dead a number of days and was purty far gone. He didn’t know if they would ever get the smell out of the house. They even had the funeral out by the graveside instead of inside the church. Prim old lady that she was, I know she’d a been real embarrassed by all the mess.
            “That night was hotter than ever. Mollie and me didn’t have any covers on the bed and all the windows were open. We even had the front door propped open to catch any breeze it could. From where I was laying in bed I could look through the door and down the long lane to the main road. I could see low lying mist down by the end of the lane. It just drifted to and fro with whatever breeze caught it. After a bit it seemed the mist was drifting toward the house. As I watched it, it seemed to get thicker. Suddenly it took form and I could see it was a woman in a white dress standing outside the house. I was froze with fear. I saw her put her hand on the door jamb, lift her skirt and step into the house. I immediately saw it was old Miz Garris. Shit!”
            “Lloyd! Don’t say that in front of the children!” my grandmother chided him.
“Well, I was scared half to death, Mollie. She stood there looking at me a minute. Then she walked over to the bed and reached down and touched my hand. Her hand was so cold. I wanted to scream but I couldn’t move or make no sound. She said ‘Lloyd, they didn’t find my will. It’s in the Bible in my study. You need to tell them. Do this and you won’t ever see me again. You don’t do it, I’ll be back. I’ll haint you.’ She disappeared suddenly and I was released and I set to squallin’.”
            “Like to have scared me out of ten years growth,” Grandma added. “He was yelling and wrenching around. Talking about ghosts. You just dreamed it, Lloyd. There ain’t no ghosts.”
“I know blame well what I saw, dammit. The next day I went to the general store and Doc Moore happened to be there. I told him a lie. I said Miz Garris told me before she died that her will was stuck in a Bible in her study. I knew he wouldn’t believe me if I said her ghost told me. Turned out there was a second will in a Bible in her study. And like she said, I ain’t never seen her again. And I want to keep it that way.”
My cousins and I loved the story. We grinned and hugged ourselves in mock terror. It was full dark by this time. I don’t know if I really believed in ghosts back then, but Granddaddy’s house was big and dark and had lots of creaks and groans. I wasn’t about to walk back in that house alone until the adults went in.
My granddaddy loved to tell stories and knew many tall tales. But he always swore this one was true. As an adult I don’t believe in ghosts. They’re just tales we use to frighten the children. But poor old Miz Garris has been resting quietly for 96 years now. I agree with Granddaddy. I’d like to just keep it that way.